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Watchmen creator Alan Moore believes infantile love of superheroes could ‘be a precursor to fascism’ -Newzflash

Watchmen creator Alan Moore believes “infantile” love of comic book superheroes could be a precursor to fascism. In an interview with The Guardian, the legendary comics writer, who is regarded for his work on Batman: The Killing Joke and V for Vendetta, expressed concerns about our culture’s obsession with superheroes. Moore believes that comics were always aimed at young boys and were never intended as “adult food”. However, he admits he shares the blame, as mature-themed stories like Watchmen, written by Moore himself, might have made fans think otherwise.

“I said around 2011 that I thought it had serious and worrying implications for the future if millions of adults were lining up to see Batman movies,” Moore told The Guardian in what feels like a bit of a reach. “Because that kind of infantilization — that longing for simpler times, simpler realities — that can very often be a precursor to fascism.” After not publishing a single comic for the past five years, Moore confirmed that he is “definitely done” with them.

He recalls the 1980s, when properties like Watchmen went mainstream. “There were an awful lot of headlines saying ‘Comics Have Grown Up’. I tend to think that no, comics had not grown up. There were a few titles that were more grown up than people were used to . But the majority of the comic book titles were pretty much the same as they had ever been,” he continued. Moore believes the change, if anything, was just fans growing into the emotional maturity depicted in those books – vise versa.

Further in the interview, he noted how an adult’s fascination with such characters could be dangerous and a prelude to fascism. This is an age-old argument that has been debated to death. Some argue that superhero stories represent the idea of ​​a tyrannical individual who has ultimate power over society. Others present the case for heroes like Superman who represent triumph over evil, without ulterior motives, and ensure freedom for all. They rarely deal with the government, and when they do, it is because of a lack of trust. Kind of like how Tony Stark refuses to hand over his inventions to political authority.

Zack Snyder’s 2016 film Batman v Superman: Dawn of Justice also delved a bit into this topic. When he was brought to court for sentencing, Clark Kent suppressed his powers – X-ray vision – as a sign of vulnerability and trust in the legal system and society. Moore, however, seems to think differently.

That Guardians the creator even tried to link the 2016 US election and the 2016 Brexit vote to the success of superhero movies over the years. Moore notes that when Donald Trump was elected in 2016 and the British public voted to leave the European Union, the biggest films of that year were based on superheroes.

While this remains true of ticket numbers, correlation does not imply causation. After all, superhero movies have retained the greatest popularity for the past decade, long before Trump and Brexit.

The last time a superhero film was not in the annual top 10 of the global box office was in 2011, when franchises such as Harry Potter, Transformers, and Pirates of the Caribbean ruled the land. Since then – not including the COVID-affected years 2020 and 2021 – we’ve had an average of four superhero movies in the top 10 each year. 2022 currently has three, and the year isn’t done in terms of new releases.

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